School of Nashville Ballet kicked off their 2022 Summer Intensive this month by welcoming over 200 students from across the country into their studios. An annual training experience led by some of the dance world’s most sought-after instructors, School of Nashville Ballet’s Summer Intensive allows aspiring dancers ages 12–22 to advance in their technique and accelerate into the next phase of their career.

“Summer Intensives are a right of passage for young dancers. It is a chance for students to spread their wings and gain life and dance experience,” shared Academy Principal Dodie Askegard. “At School of Nashville Ballet, we balance the need for training with personal, artistic expression. Our goal is that each student will leave our studios not only with stronger technique, but with a better sense of who they are and what they love to do.”

Ranging from one-week to five-week sessions, this year’s 265 Summer Intensive students will learn directly from both esteemed local dance professionals and nationally renowned guest artists. Attendees will have the opportunity to work alongside former New York City Ballet Principal Dancer and current Rehearsal Director of Philidelphia Ballet Charles Askegard, Metropolitan Ballet Theatre Artistic Director Maniya Barredo, Erin Kouwe, Nashville Ballet Artistic Director Paul Vasterling, Associate Artistic Director Nick Mullikin, former Nashville Ballet Company Dancer and current Director of Grand Rapids School of Dance Jon Upleger, and more.

In addition to these prestigious training experiences, students will have a brand-new opportunity this year to participate in School of Nashville Ballet’s first-ever Choreographic Intensive. A highly-selective, five-week program, Choreographic Intensive allows advanced students to work directly with Nashville Ballet artistic staff, Company dancers, and guest choreographers to develop brand-new works in the studio. This uniquely-Nashville Ballet experience gives each dancer an opportunity to expand their choreographic repertoire while also growing in their technique and developing their own artistic voice and style.

“Focusing on developing dancers from a technical and artistic perspective together is essential to what we do at Nashville Ballet,” shared Associate Artistic Director Nick Mullikin. “Learning and performing new choreography gives students the chance to develop a skill that will guide them through careers at any professional company, and to be able to learn from our Company members and former school faculty gives them a real sense of what it means to be a part of the Nashville Ballet family.”

Nashville Ballet’s Summer Intensive will continue through July 22, 2022. To learn more about the program and additional opportunities at School of Nashville Ballet, please visit nashvilleballet.com.

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AuthorNashville Ballet

Nashville Ballet’s highly anticipated 2022-23 season line up is here. Featuring star-studded collaborations and blockbuster fan-favorites, the robust repertoire includes the return of the magical production that inspired the Emmy Award-winning film, Nashville’s Nutcracker, Paul Vasterling’s sparkling rendition of Cinderella, world-premiere works by Tony and Emmy award-winning choreographers, plus brand-new live musical collaborations with the Nashville Symphony, Nashville locals Morgxn and Allison Russell, and international violin prodigy Yvette Kraft.

“Collaboration is such an important element of what we do, and I think it’s truly a testament to our community and our Company that these artists chose Nashville- chose us, to display their work,” shared Nashville Ballet Artistic Director Paul Vasterling. “Much like Nashville itself, art is multi-faceted, and it’s important that our performances reflect that. From renowned choreographers to award-winning musicians, we are honored to be sharing the stage with so many incredible creators next season, and it’s our hope that our community embraces this unique opportunity to experience both new and beloved world-class art right here in Nashville.”

Season highlights include Vasterling’s “dreamily beautiful, eye-popping, and wistfully romantic” (Broadway World Nashville) adaptation of Cinderella with the Nashville Symphony and the return of Music City’s favorite holiday tradition, Nashville’s Nutcracker. Fresh off its Emmy Award win for the 2020 film adaptation, this year’s production will include beloved and uniquely Nashville Ballet costumes and sets, a School of Nashville Ballet youth cast, plus a brand-new, reimagined snow scene by renowned designer Campbell Baird.

Accompanying these fan-favorite performances are star-studded contemporary premieres and collaborations, including a brand-new work by Tony-nominated choreographer Donald Byrd, the highly-anticipated world premiere of Vasterling’s multi-genre Anthology, featuring stories from Nashville’s past, and George Balanchine’s quintessential The Four Temperaments, accompanied by international violin sensation Yvette Kraft.

Joining the list of collaborators for the 2022-23 season will be two artists well-known to the Nashville community. Nashville Ballet Company Dancer Mollie Sansone will be promoted to the Company’s first-ever female resident choreographer, where she will work alongside Vasterling and visiting artists to create new pieces, and award-winning conductor Ming Luke will serve as the Company’s new Music Director and Principal Conductor.

Season packages for Nashville Ballet’s 2022-23 season will go on sale Monday, June 6, and can be purchased on Nashville Ballet’s website, through their Box Office at 615-297-2966 x710, or by emailing tickets@nashvilleballet.com. Individual tickets will go on sale in July.

Nashville Ballet’s Full 2022-23 Season:


Cinderella
October 7–9, 2022
TPAC’s Polk Theater
Choreography by Paul Vasterling
Music by Sergei Prokofiev
Music performed by the Nashville Symphony
A final stroke of midnight changes it all when a beautiful princess, handsome prince, and glass slipper come together on stage for Paul Vasterling’s sparkling rendition of Cinderella. Featuring live music by the Nashville Symphony, this enchanting production will have you laughing, dreaming, and convinced that, with a little determination, anything is possible.

Live in Studio A: An Immersive Dance Experience featuring live music by international violin sensation Yvette Kraft
November 4–13, 2022 Studio A, The Martin Center for Nashville Ballet
Choreography by Paul Vasterling, Nick Mullikin, and George Balanchine
Music by Antonio Vivaldi, Max Richter, and Paul Hindemith

See your Nashville Ballet up-close at the Martin Center for Nashville Ballet! An immersive dance experience hosted right in our studios, this captivating selection of world-class performances will feature live music performed by 18-year-old internationally-renowned-soloist Yvette Kraft.

Nashville’s Nutcracker
December 9–24, 2022
TPAC’s Jackson Hall
Concept, story treatment, and choreography by Paul Vasterling
Music composed by Pyotr Ilyich Tchaikovsky
Live music performed by The Nashville Symphony
Experience the production that inspired the Emmy Award-winning film of Nashville’s Nutcracker! The greatest gift to give or get, the holiday season simply isn’t complete without the magic of this time-honored tradition.

World premiere of Anthology
February 10–12, 2023
TPAC’s Polk Theater
Featuring choreography by Paul Vasterling, Shabaz Ujima, Mollie Sansone, Sidra Bell, and Windship Boyd.
Music composed by Morgxn, Allison Russell, Beethoven, Jordan Lehning, and Chopin.
A world premiere by Artistic Director Paul Vasterling, Anthology is a poignant exploration of Nashville’s rich cultural tapestry. Similar to his nationally acclaimed Lucy Negro Redux, this brand-new production will blend music, spoken word, and dance, to tell stories of our city’s history.

New in Nashville
April 21–23, 2023
TPAC’s Jackson Hall
Choreography by Donald Byrd, Cathy Marston, and Matthew Neenan
Music performed by the Nashville Symphony
New in Nashville brings you never-before-seen-in-Music-City works by the world’s most sought-after choreographers set to musical masterworks performed live by the Nashville Symphony. A dazzling and dynamic sampling of dance, this tour de ballet will include creative visionary Cathy Marston’s Snowblind, based on Edith Wharton’s Ethan Frome, plus brand-new pieces by Matthew Neenan and Tony-Award winning choreographer Donald Byrd.

School of Nashville Ballet Presents: The Sleeping Beauty
May 5–14, 2023 Studio A at The Martin Center for Nashville Ballet
Concept, story treatment, and choreography by Paul Vasterling Music composed by Pyotr Ilyich Tchaikovsky Brimming with enchantment, romance and charm, all ages will be swept away by the timeless tale of Princess Aurora, the villainous Carabosse, noble Lilac Fairy, and a dashing prince’s kiss. Performed by School of Nashville Ballet Professional Division and Academy students, see the talented young dancers who represent the future of ballet in this family-friendly classic. The Sleeping Beauty takes place in Studio A at the Martin Center for Nashville Ballet located in Sylvan Park.

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AuthorNashville Ballet

After a triumphant season of returning to TPAC, embarking on a nation-wide tour, and winning their first-ever Emmy Award, Nashville Ballet is set to conclude their 2021-22 season at Belmont University’s brand-new Fisher Center for the Performing Arts June 4 and 5. A state-of-the-art facility built specifically to showcase the abundance of talent native to Nashville, the Company’s performance will be a part of the world-class venue’s inaugural season.

"Both Nashville Ballet and Belmont University have the unique advantage of being surrounded by such an incredibly robust arts scene, and we have a long history of working together to offer artists the space they need to thrive," shared Nashville Ballet Artistic Director Paul Vasterling. “We've partnered together to present free performances to our community, house our Summer Intensive students from all across the country on their beautiful campus, and invite Belmont students to train on our campus while our dancers pursue degrees on theirs. For our company artists to have the opportunity to perform in a performing arts venue of this caliber right in our own city is unprecedented, and we are so honored to be continuing our long-valued partnership with Belmont by being a part of the Fisher Center for the Performing Arts’ inaugural season.”

Built prestigiously for large-scale events and performances, the Fisher Center for the Performing Arts includes state-of-the-art music and lighting technology, over 1,700 seats, optimal acoustic capabilities, and free parking.

Nashville Ballet at Belmont will feature a diverse repertoire of works by distinguished choreographers set to iconic classical scores. Nashville Ballet company dancers will reprise award-winning choreographer Val Caniparoli’s fan-favorite Tutto Eccetto il Lavandino (everything but the kitchen sink) featuring the music of Antonio Vivaldi. Joining Caniparoli’s piece will be Associate Artistic Director Nick Mullikin’s newest work, 2,192 Days, performed to live music by Sergei Rachmaninov. Audiences will also experience an exclusive preview of a new commission from Matthew Neenan, sought-after choreographer and co-founder of BalletX. Following his popular creation at Attitude: Other Voices in 2019, Neenan will be returning to Nashville to display a brand-new piece that will premiere in full during Nashville Ballet’s 2022-23 season.

Tickets for Nashville Ballet at Belmont are on sale now. To purchase tickets or learn more about the performance, please visit nashvilleballet.com.

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About Nashville Ballet

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com.

Nashville Ballet receives public funding from Metro Arts, Tennessee Arts Commission, and the National Endowment for the Arts. Contributions from local, regional, and national institutional funders and community partners, as well as hundreds of generous individuals, provide ongoing support of Nashville Ballet’s mission-critical programs.

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AuthorNashville Ballet

Nashville Ballet’s beloved annual Family Day at the Ballet will make its highly anticipated return to Sylvan Park on Sunday, April 24. Held right on site at the Martin Center for Nashville Ballet, this fun and festive event will feature a wide variety of games, activities, story times, plus a special performance by the artists of NB2, Nashville Ballet’s official second Company.

An annual treat for dance-loving little ones and new movers alike, Family Day at the Ballet gives families the opportunity to experience the magic of dance together. Ideal for ages 4–8, each activity is designed to help little ones engage, create, and move.

“Family Day is one of our favorite events of the year,” said School of Nashville Ballet Programs and Events Manager Rachel Stover. “This is our opportunity to share what we love about dance with our community, and it’s our hope that each family has fun, experiences something new, and leaves with a deeper appreciation for this beautiful artform.”

Entrance to Family Day at the Ballet is free to the community from 12 p.m.–4 p.m. on Sunday, April 24. Free activities include movement exercises and games with School of Nashville Ballet faculty, performance-inspired crafts, and story times with Nashville Ballet teaching artists.

Family Day at the Ballet will also include a performance of the classic Mexican Folktale Borreguita and the Coyote, featuring the artists of NB2. This delightfully clever ballet, set to Spanish-style classical guitar and choreographed by Nashville Ballet Artistic Director Paul Vasterling, will entertain and educate children of all ages on the importance of using wisdom in tricky situations. Attendees can choose to attend the 12:30 p.m. performance or 2:30 p.m. performance for just $20 and enjoy the free activities before and after.

To complete the fun-filled afternoon, Nashville Ballet will be joined by community partners Padrino’s Pops and Parnassus Books, where guests can purchase popsicles, books that inspired the activities they completed throughout the day, and more! Family Day at the Ballet is sponsored by Braces by Dr. Ruth. To learn more about Family Day at the Ballet or to purchase tickets to see Borreguita and the Coyote, please visit nashvilleballet.com.

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About Nashville Ballet

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com.

Nashville Ballet receives public funding from Metro Arts, Tennessee Arts Commission, and the National Endowment for the Arts. Contributions from local, regional, and national institutional funders and community partners, as well as hundreds of generous individuals, provide ongoing support of Nashville Ballet’s mission-critical programs.

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AuthorNashville Ballet

Nashville Ballet will kick off a national tour of The New York Times acclaimed Lucy Negro Redux in Nashville this spring. Debuting to three sold-out performances in 2019, this cross-disciplinary tour de force features on-stage narration by renowned writer and poet Caroline Randall Williams, live music by GRAMMY award-winning artist Rhiannon Giddens, and original choreography by Nashville Ballet Artistic Director Paul Vasterling.   

Based on the book of the same name written by award-winning poet Caroline Randall Williams, this encapsulating masterpiece chronicles the mysterious love life of William Shakespeare and his illustrious muses- the “Dark Lady” and “Fair Youth.” A bold and sultry display of one of the literary world’s most iconic figures, Lucy Negro Redux explores themes of otherness, equality, and self-worth alongside artists that have experienced it first-hand. 

“It’s an extraordinary gift to see the fruit of your imagination brought to life, in any form,” shared Williams. “Getting the book published at all was a dream. Paul Vasterling’s vision to turn it into a ballet was a bigger, wilder dream than I even knew to wish. I hope that people walk away with a new way of looking at color, at women, at bodies, at the possibility of collaborative, multi-genre art. This show is the work of so many minds meeting, [and] the fact that I get to participate in a performance that lives in all of these intersections continues to stagger me, and bring me a great deal of joy.” 

GRAMMY Award-winner and MacArthur “Genuis” Grant Recipient Rhiannon Giddens will be joining Williams and Nashville Ballet Company artists on stage to perform live, original music uniquely composed for this performance. Known for her diverse musicality and effortless range, Giddens’ score, performed with Francesco Turrisi, blends genres such as bluegrass, soul, folk, and more to tell this compelling story of self-exploration, sovereignty, and hidden desires. 

Lucy Negro Redux is for anyone that has ever felt othered because of who they are- whether it be for their gender, skin color, or who they love,” shared Nashville Ballet Artistic Director Paul Vasterling. “Our hope is that audiences will walk away with new perspectives of one another that spark important conversations, challenge tradition, and most importantly, create an empathetic understanding of each other’s experiences.” 

Following the Nashville performances at TPAC March 18–26, Nashville Ballet will be taking Lucy Negro Redux on a nation-wide tour to Denver, CO., Santa Fe, NM., Kansas City, MO., and Norfolk, VA.  

Lucy Negro Redux is sponsored in part by Vanderbilt University. Tickets are on sale now and can be purchased here.  

Lucy Negro Redux Tour Dates 

Tennessee Performing Arts Center 

Nashville, TN 

March 18–26, 2022 

 

The Newman Center 

Denver, CO 

March 29–30, 2022 

 

Lensic Performing Arts Center 

Santa Fe, NM 

April 3, 2022 

 

The Kauffman Center for the Performing Arts 

Kansas City, MO 

April 8, 2022 

 

Chrysler Hall 

Norfolk, VA 

April 23, 2022 

 

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About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com
 

 

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AuthorNashville Ballet

Nashville Ballet Executive Director Lisa French has announced that she will conclude her dedicated service to the organization this summer. Following their final performance of the season at Belmont University’s Fisher Center for the Performing Arts this June, French will be relocating to Minneapolis, Minnesota to be closer to family. Thanks to her six years of exemplary leadership, particularly through the ongoing pandemic, the non-profit will be poised to begin its 2022-23 season stronger than ever.  

“It has been such a privilege to lead this organization and work with so many talented and committed artists, Board, staff, and faculty members these past six years,” said French. “Together, we have been able to flourish and succeed in our commitment to serve our community through this beautiful artform. Nashville Ballet is truly a special place, and I am confident that it will only continue to grow from here.”  

During her time with the organization, French has helped Nashville Ballet reach and exceed several organizational and industry milestones. Over the past six years, she has increased investments in Nashville Ballet’s artistic endeavors and grown endowment funds by 88%, helping to advance the organization’s ongoing effort to create, perform, teach, and promote dance as an essential and inspiring element of their community. She has also grown their staff and artist roster, enhanced Board member engagement, advanced diversity, equity, and inclusion initiatives, and expanded community engagement efforts. 

Under her leadership, Nashville Ballet’s overall budget and revenue has increased by 42%. This steadfast commitment to growing the organization has allowed them to create a new Virtual Season, tour nationally to The Kennedy Center in Washington, D.C. and The Gaillard Center in Charleston, South Carolina, host their first-ever outdoor performance at Ascend Amphitheater, and film and release the broadcast premiere of Nashville’s Nutcracker, which recently received four Midsouth Emmy Award nominations. Over the next several months, the Company will take their original production of Lucy Negro Redux on a nation-wide tour and film the acclaimed performance. In the midst of spearheading all of these efforts, French also completed her Executive MBA from the Owen School of Business at Vanderbilt University, participated in the Racial Equity in Arts Leadership cohort, and The Equity Project. 

“There simply aren’t enough words to describe the immense impact that Lisa has had on this organization,” shared Nashville Ballet Artistic Director Paul Vasterling. “Her vigorous leadership, unwavering resilience, and sound guidance brought us through some of the most challenging years in our Company’s history and beyond. Her shoes will not be easily filled, but we are excited to watch her blaze a new trail and share her talents with Minneapolis.” 

Vasterling will work with a search committee comprised of hiring professionals, Nashville Ballet Board President Laura Currie, President-Elect Susan Short Jones, and other Board members to lead the search for Nashville Ballet’s next Executive Director. They have hired the acclaimed firm, Management Consultants for the Arts, to assist them in the nation-wide hiring process.  

“Thanks to Lisa’s leadership, Nashville Ballet is in a tremendously strong place,” said Nashville Ballet Board President Laura Currie. “She has set us up for success and assembled a thoughtful, hardworking team who we know will carry on our mission as we search for and onboard a new Executive Director.” 

To learn more about Nashville Ballet, please visit nashvilleballet.com. To learn more about Management Consultants for the Arts, please visit mcaonline.com

About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com

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AuthorNashville Ballet

Nashville Ballet’s annual fundraising gala is set to make its grand return to Schermerhorn Symphony Center this March. A highly-anticipated event, this year’s Ballet Ball will feature live music by GRAMMY-nominated artist Allison Russell, performances by Nashville Ballet Company dancers, and will honor award-winning writer and long-standing artistic collaborator Caroline Randall Williams.  

Williams will be receiving the Synergy Award, which recognizes individuals who have successfully demonstrated the importance of creative partnerships between music, art, and dance that Nashville Ballet so strongly believes in and executes on stage. Recognizable by her original book that inspired Artistic Director Paul Vasterling’s ballet of the same name, Lucy Negro Redux, Williams has redefined the connection between spoken word and movement through her collaborations with Nashville Ballet. Beyond her trailblazing career as a writer, poet, and activist, she has also performed live on stage alongside Company dancers in Vasterling’s Lucy Negro Redux and Jennifer Archibald’s Posters.  

Joining the Ballet Ball stage will be three-time GRAMMY-award nominee Allison Russell, who has, over the past year, begun her own artistic partnership with Nashville Ballet. Known for her eclectic style and passionate sound, Russell recently starred in Nashville Ballet’s free virtual season with live, original music for Kevin Thomas’ Eve Was Black. Russell will be using her skills as a multi-instrumentalist singer songwriter to work alongside Artistic Director Paul Vasterling to create brand-new, original music for this year’s live Ballet Ball performance.  

“Allison and Caroline are the embodiment of what we want to celebrate at this year’s event; they are strength, excellence, creativity, resiliency,” shared Vasterling. “Just like the golden age of dance that inspired this year’s event, these two are reinventing how we experience art. We are honored not only to share the stage with them, but to work alongside them to continue to push the boundaries of ballet as a voice of expression and outlet for storytelling.”  

Following the theme of mid-century elegance, the evening will also include a curated selection of pieces from award-winning choreographer Twyla Tharp’s Nine Sinatra Songs. This chic and alluring performance is set to some of Frank Sinatra’s most iconic hits, such as “That’s Life,” “Strangers in the Night,” and “My Way.”   

Chaired by Joanne Sowell and Brooke Trusley, Ballet Ball 2022 will take place at Schermerhorn Symphony Center on Saturday, March 12 to raise mission-critical funds for Nashville Ballet’s Community Engagement Initiative. Inspired by the golden age of dance in America, renowned luxury event planner Bruce Pittman will be returning to bring the theme of mid-century elegance to life throughout the Schermerhorn. Dinner will be served by premier caterer Kristen Winston, and cocktails and assorted beverages will be provided by Lipman Brothers, LLC. 

Tickets for Ballet Ball are by invitation only, but the general public is invited to purchase tickets to the Ballet Ball Late Party, which features a cocktail hour, live music by Bizz & Everyday People, and a seat for the gala performance. For more information on Ballet Ball, or to purchase Late Party tickets, please visit nashvilleballet.com

 

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About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Thanks to Ballet Ball funding, Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com

Nashville Ballet receives public funding from Metro Arts, Tennessee Arts Commission, and the National Endowment for the Arts. Contributions from local, regional, and national institutional funders and community partners, as well as hundreds of generous individuals, provide ongoing support of Nashville Ballet’s mission-critical programs. 

 

About Caroline Randall Williams 

Caroline Randall Williams is a multi-genre writer, educator, and performance artist in Nashville Tennessee, where she is a writer-in-residence at Vanderbilt University. She is a co-author of the NAACP Image Award-winning cookbook Soul Food Love. Her debut collection of poetry, Lucy Negro, Redux, was turned into a ballet in 2019 by Nashville Ballet's Artistic Director Paul Vasterling. Williams performed her poetry as an integral member of the cast, all set to an original score by multi-GRAMMY nominee Rhiannon Giddens. Named by Southern Living as “One of the 50 People Changing the South,” the Cave Canem fellow has been published and featured in multiple journals, essay collections, and news outlets, including The Iowa Review, The Massachusetts Review, CherryBombe, Garden and Gun, Essence, and The New York Times. Most recently, she was ranked by The Root as one of the 100 most influential African Americans of 2020.  

 

About Allison Russell 

Allison Russell is an artist, activist, songwriter, and multi-instrumentalist of extraordinary power, talent, and grace. A founding member of the acclaimed groups Our Native Daughters (with Rhiannon Giddens, Leyla McCalla, and Amythyst Kiah), and Birds of Chicago (with her husband/musical partner JT Nero), the Montreal native has begun to emerge as a potent force among creative circles worldwide. On her debut solo album, Outside Child (Fantasy Records, May 2021), Russell unpacks the story of her traumatic childhood in a deeply moving, unforgettable song-cycle of courage, empathy, and love. Outside Child is a powerful and warm statement of hope, resilience, and the redemptive power of art– asserted from a place of healing, of motherhood, of partnership– and from a new home made in Nashville. Russell was named Emerging Act of the Year (Americana Music Association US), International Artist of the Year (AMA UK), and one of the top artists to watch in 2021 by Rolling Stone. Outside Child was recently placed on the long-list for the prestigious Polaris Prize, was nominated for four Canadian Folk Music Awards, and appeared on a number of “Best of 2021” lists. 
 

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AuthorNashville Ballet

As part of their ongoing mission to become a more diverse, equitable, and inclusive community, Nashville Ballet is excited to announce that they will be transitioning each of their artists into dancer-specific flesh-tone tights and shoes. Though Nashville Ballet Company members of color have worn these tights in their studios and stages for over a decade and blazed the trail for this transition, this will be the first year where every dancer will perform in a set identical to their skin tone.  

Since the 19th century, pink tights and shoes have been considered a dancewear standard for ballet dancers of all races and ethnicities. Historically, the purpose of utilizing pink tights was to mute the muscle definition of a dancer’s leg whilst making the skin of the dancer appear to be more fair and paler than the dancer’s natural skin tone. This tradition, rooted in European-centric beauty standards, is not reflective of Nashville Ballet’s mission to create an inclusive dance community in which all can engage and thrive.   

It was not until the early 1970s that this began to change, when the Dance Theater of Harlem, under the direction of Mr. Arthur Mitchell, debuted custom-made flesh tone tights and shoes. Since then, the dedication and advocacy of dancers of color across various dance disciplines has paved the way for companies like Nashville Ballet to make the same transition. As the ballet world continues to diversify and move further away from ideas and concepts of white centrality, it is necessary that even ballet’s most long-standing traditions be evaluated through the lens of the times in which we currently live. 

 “At its core, dance is a means of expression- a tool to share who we really are,” said Nashville Ballet Artistic Director Paul Vasterling. “When we fully embrace that, we not only showcase the individuality of our dancers, but we also give audiences the chance to find themselves in the art. For too long, only certain people could relate to what they were seeing on stage, and that’s not what we strive for; it’s not who we want to be. While we are excited to implement this change in its entirety, we also recognize that it is only a small step towards true progress, so we will continue to listen, uplift, and strive to do better, because we all have a role to play in this movement, and Nashville Ballet is no exception.”  

Nashville Ballet is committed to creating a climate of respect that is supportive of all voices, celebrating diverse stories, increasing arts access, and sparking important discussions about their own community and beyond through their art form and artistic programming. With the support of their Diversity, Equity, and Inclusion staff leads and community partners such as Crossroads Antiracism, MoBBallet, All Access Inclusion Network, Moves and Grooves, and others, they hope to continue to take steps towards creating a truly inclusive, safe space for individuals and communities of all races, genders, ages, socioeconomic status’, disability status, geographic locations, and sexual orientations. 

Learn more about Nashville Ballet’s commitment to diversity, equity, inclusion, the history of pink tights in ballet, and the experiences of artists of color at nashvilleballet.com

 

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About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com
 

 

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AuthorNashville Ballet