Nashville Ballet’s annual fundraising gala is set to make its grand return to Schermerhorn Symphony Center this March. A highly-anticipated event, this year’s Ballet Ball will feature live music by GRAMMY-nominated artist Allison Russell, performances by Nashville Ballet Company dancers, and will honor award-winning writer and long-standing artistic collaborator Caroline Randall Williams.  

Williams will be receiving the Synergy Award, which recognizes individuals who have successfully demonstrated the importance of creative partnerships between music, art, and dance that Nashville Ballet so strongly believes in and executes on stage. Recognizable by her original book that inspired Artistic Director Paul Vasterling’s ballet of the same name, Lucy Negro Redux, Williams has redefined the connection between spoken word and movement through her collaborations with Nashville Ballet. Beyond her trailblazing career as a writer, poet, and activist, she has also performed live on stage alongside Company dancers in Vasterling’s Lucy Negro Redux and Jennifer Archibald’s Posters.  

Joining the Ballet Ball stage will be three-time GRAMMY-award nominee Allison Russell, who has, over the past year, begun her own artistic partnership with Nashville Ballet. Known for her eclectic style and passionate sound, Russell recently starred in Nashville Ballet’s free virtual season with live, original music for Kevin Thomas’ Eve Was Black. Russell will be using her skills as a multi-instrumentalist singer songwriter to work alongside Artistic Director Paul Vasterling to create brand-new, original music for this year’s live Ballet Ball performance.  

“Allison and Caroline are the embodiment of what we want to celebrate at this year’s event; they are strength, excellence, creativity, resiliency,” shared Vasterling. “Just like the golden age of dance that inspired this year’s event, these two are reinventing how we experience art. We are honored not only to share the stage with them, but to work alongside them to continue to push the boundaries of ballet as a voice of expression and outlet for storytelling.”  

Following the theme of mid-century elegance, the evening will also include a curated selection of pieces from award-winning choreographer Twyla Tharp’s Nine Sinatra Songs. This chic and alluring performance is set to some of Frank Sinatra’s most iconic hits, such as “That’s Life,” “Strangers in the Night,” and “My Way.”   

Chaired by Joanne Sowell and Brooke Trusley, Ballet Ball 2022 will take place at Schermerhorn Symphony Center on Saturday, March 12 to raise mission-critical funds for Nashville Ballet’s Community Engagement Initiative. Inspired by the golden age of dance in America, renowned luxury event planner Bruce Pittman will be returning to bring the theme of mid-century elegance to life throughout the Schermerhorn. Dinner will be served by premier caterer Kristen Winston, and cocktails and assorted beverages will be provided by Lipman Brothers, LLC. 

Tickets for Ballet Ball are by invitation only, but the general public is invited to purchase tickets to the Ballet Ball Late Party, which features a cocktail hour, live music by Bizz & Everyday People, and a seat for the gala performance. For more information on Ballet Ball, or to purchase Late Party tickets, please visit nashvilleballet.com

 

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About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Thanks to Ballet Ball funding, Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com

Nashville Ballet receives public funding from Metro Arts, Tennessee Arts Commission, and the National Endowment for the Arts. Contributions from local, regional, and national institutional funders and community partners, as well as hundreds of generous individuals, provide ongoing support of Nashville Ballet’s mission-critical programs. 

 

About Caroline Randall Williams 

Caroline Randall Williams is a multi-genre writer, educator, and performance artist in Nashville Tennessee, where she is a writer-in-residence at Vanderbilt University. She is a co-author of the NAACP Image Award-winning cookbook Soul Food Love. Her debut collection of poetry, Lucy Negro, Redux, was turned into a ballet in 2019 by Nashville Ballet's Artistic Director Paul Vasterling. Williams performed her poetry as an integral member of the cast, all set to an original score by multi-GRAMMY nominee Rhiannon Giddens. Named by Southern Living as “One of the 50 People Changing the South,” the Cave Canem fellow has been published and featured in multiple journals, essay collections, and news outlets, including The Iowa Review, The Massachusetts Review, CherryBombe, Garden and Gun, Essence, and The New York Times. Most recently, she was ranked by The Root as one of the 100 most influential African Americans of 2020.  

 

About Allison Russell 

Allison Russell is an artist, activist, songwriter, and multi-instrumentalist of extraordinary power, talent, and grace. A founding member of the acclaimed groups Our Native Daughters (with Rhiannon Giddens, Leyla McCalla, and Amythyst Kiah), and Birds of Chicago (with her husband/musical partner JT Nero), the Montreal native has begun to emerge as a potent force among creative circles worldwide. On her debut solo album, Outside Child (Fantasy Records, May 2021), Russell unpacks the story of her traumatic childhood in a deeply moving, unforgettable song-cycle of courage, empathy, and love. Outside Child is a powerful and warm statement of hope, resilience, and the redemptive power of art– asserted from a place of healing, of motherhood, of partnership– and from a new home made in Nashville. Russell was named Emerging Act of the Year (Americana Music Association US), International Artist of the Year (AMA UK), and one of the top artists to watch in 2021 by Rolling Stone. Outside Child was recently placed on the long-list for the prestigious Polaris Prize, was nominated for four Canadian Folk Music Awards, and appeared on a number of “Best of 2021” lists. 
 

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AuthorNashville Ballet

As part of their ongoing mission to become a more diverse, equitable, and inclusive community, Nashville Ballet is excited to announce that they will be transitioning each of their artists into dancer-specific flesh-tone tights and shoes. Though Nashville Ballet Company members of color have worn these tights in their studios and stages for over a decade and blazed the trail for this transition, this will be the first year where every dancer will perform in a set identical to their skin tone.  

Since the 19th century, pink tights and shoes have been considered a dancewear standard for ballet dancers of all races and ethnicities. Historically, the purpose of utilizing pink tights was to mute the muscle definition of a dancer’s leg whilst making the skin of the dancer appear to be more fair and paler than the dancer’s natural skin tone. This tradition, rooted in European-centric beauty standards, is not reflective of Nashville Ballet’s mission to create an inclusive dance community in which all can engage and thrive.   

It was not until the early 1970s that this began to change, when the Dance Theater of Harlem, under the direction of Mr. Arthur Mitchell, debuted custom-made flesh tone tights and shoes. Since then, the dedication and advocacy of dancers of color across various dance disciplines has paved the way for companies like Nashville Ballet to make the same transition. As the ballet world continues to diversify and move further away from ideas and concepts of white centrality, it is necessary that even ballet’s most long-standing traditions be evaluated through the lens of the times in which we currently live. 

 “At its core, dance is a means of expression- a tool to share who we really are,” said Nashville Ballet Artistic Director Paul Vasterling. “When we fully embrace that, we not only showcase the individuality of our dancers, but we also give audiences the chance to find themselves in the art. For too long, only certain people could relate to what they were seeing on stage, and that’s not what we strive for; it’s not who we want to be. While we are excited to implement this change in its entirety, we also recognize that it is only a small step towards true progress, so we will continue to listen, uplift, and strive to do better, because we all have a role to play in this movement, and Nashville Ballet is no exception.”  

Nashville Ballet is committed to creating a climate of respect that is supportive of all voices, celebrating diverse stories, increasing arts access, and sparking important discussions about their own community and beyond through their art form and artistic programming. With the support of their Diversity, Equity, and Inclusion staff leads and community partners such as Crossroads Antiracism, MoBBallet, All Access Inclusion Network, Moves and Grooves, and others, they hope to continue to take steps towards creating a truly inclusive, safe space for individuals and communities of all races, genders, ages, socioeconomic status’, disability status, geographic locations, and sexual orientations. 

Learn more about Nashville Ballet’s commitment to diversity, equity, inclusion, the history of pink tights in ballet, and the experiences of artists of color at nashvilleballet.com

 

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About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com
 

 

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AuthorNashville Ballet

Nashville Ballet is kicking off the New Year with the return of their popular Attitude series. Known for its game changing choreographers and uniquely Music City collaborations, this season’s production offers patrons a one-of-a-kind immersive dance experience. Staged on site at The Martin Center for Nashville Ballet February 11–20, the vibrant line-up includes Twyla Tharp’s Nine Sinatra Songs, Val Caniparoli’s Tutto Eccetto il Lavandino (everything but the kitchen sink), and the debut of Company Dancer Mollie Sansone’s Fortitudine

“To celebrate the highly anticipated return of live performances, we wanted to take this year’s Attitude production up a notch,” shared Nashville Ballet Artistic Director Paul Vasterling. “Staging these pieces right in our studio will allow each guest to experience these stunning pieces up-close. Following the performance, attendees will have the opportunity to participate in an intimate discussion with dancers, stagers, and Nashville Ballet Artistic Staff to learn more about the unique elements of each work and the overarching role they play in the world of dance. Every person will leave having experienced the production in a uniquely personal way, and that’s what we are most excited about.” 

Full of “flair and sophistication” (The New York Times), Nine Sinatra Songs is one of modern master Twyla Tharp’s most famous works. Featuring a wide variety of dance styles, including classic ballroom, tango, and cha-cha, this vivaciously dazzling piece is set to nine of Frank Sinatra’s most iconic hits, such as “That’s Life,” “Strangers In The Night,” “My Way,” and more.  

Joining this crowd-favorite on stage will be internationally-renowned choreographer Val Caniparoli’s effervescent Tutto Eccetto il Lavandino (everything but the kitchen sink), and Nashville Ballet Company Dancer Mollie Sansone’s newest work, Fortitudine, featuring original music composed by Larissa Maestro performed live by Lockeland Strings. A community arts organization known for their compelling collaborations, Lockeland Strings partners local artists with a string quintet to present new contemporary works. Their extensive repertoire includes performances with powerhouses such as Kacey Musgraves, Fancy, Lucie Silvas, Lera Lynn, and more.  

Following each in-studio performance, guests will have the opportunity to participate in a discussion with the artists and creatives behind the works and learn more about the performance.  

Limited tickets for Nashville Ballet’s Attitude are on sale now and can be purchased at nashvilleballet.com.  

 

About Nashville Ballet 

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students ages 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com

 

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AuthorNashville Ballet

Following 19 months of virtual and outdoor performances, Nashville Ballet is set to make their highly anticipated return to the theater this December with Nashville’s Nutcracker. Running at TPAC December 15–24, this will be the Company’s first live, indoor performance since February of 2020.

“As a dancer, there is no greater feeling than performing for a live audience,” shared Artistic Director Paul Vasterling. “The connection you experience with them while you’re on-stage, in a theater, is impalpable, and it’s something our artists have missed dearly. Over the past 19 months, our dancers, faculty, and staff have worked tirelessly preparing for this moment, and I know I speak for all of us when I say we could not be more ready or excited to see you back at the theater and to celebrate this momentous occasion together this holiday season.” Presented by the Tennessee Titans, Nashville’s Nutcracker celebrates the unique history and cultural innovation of Music City. Beginning at the 1897 Centennial Exposition, this magical holiday delight takes audiences on an unforgettable journey to the land of sweets and sugar plum fairies with Clara, her Uncle Drosselmeyer, and the beloved Nutcracker. The performance will feature Nashville Ballet Company dancers, as well as NB2 artists, a youth cast of School of Nashville Ballet students, and live music performed by the Nashville Symphony.

To celebrate this triumphant return to the theater, Nashville Ballet has made Nashville’s Nutcracker a complete family-night-out experience, featuring a commemorative photo booth, meet and greets with characters from the production, and pre-performance story times hosted by Nashville Ballet teaching artists.

In addition to the live production, audiences will have a special opportunity to go behind the scenes of this holiday classic in a free, virtual Inside the Ballet event. Participants will get a sneak peek into rehearsals for Nashville’s Nutcracker while learning more about the diverse cultures represented in the production directly from representatives from the Baila Program at the Hispanic Family Foundation and the Chinese Arts Alliance of Nashville. Tickets for Nashville Nutcracker are on sale now and can be purchased here. For more information, please visit nashvilleballet.com.

About Nashville Ballet

Nashville Ballet is the largest professional ballet company in Tennessee. Nashville Ballet presents a varied repertoire of classical ballet and contemporary works by noted choreographers, including original works by Artistic Director Paul Vasterling. Nashville Ballet and the second company, NB2 (a pre-professional training company), provide more than 55,000 arts experiences to adults and children annually through virtual and in-person season performances and its Community Engagement programming. Curriculum-based Community Engagement programs bring hybrid learning dance education to community centers, colleges, public libraries, and public elementary, middle, and high schools across the state. School of Nashville Ballet brings world-class in-studio, on-demand, and outdoor dance instruction to students age 2 and up. To learn more about Nashville Ballet, please visit nashvilleballet.com.

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AuthorNashville Ballet

Following a year and a half of successfully navigating the challenges of the COVID-19 pandemic to share virtual and in-person performances, classes, and programming with Middle Tennessee audiences, Nashville Ballet company artists were set to make their big return to the stage at Andrew Jackson Hall at the Tennessee Performing Arts Center this weekend with Paul Vasterling’s Peter Pan. Unfortunately, in the early hours of Friday morning, just hours before opening night, a mechanical failure with the fire suppression system in the James K. Polk Cultural Center caused significant water damage to TPAC’s Andrew Jackson Hall stage as well as to Nashville Ballet’s sets and production equipment. The amount of water released has created complications that would prevent Nashville Ballet from ensuring the safety of patrons, dancers, crew, staff, and musicians. With the health and safety of these groups in mind, Nashville Ballet is left with no choice but to cancel this weekend’s performances of Peter Pan.

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AuthorNashville Ballet

Fresh off their in-person performances at Ascend Amphitheater as the first performing arts organization in Nashville to return to live events, Nashville Ballet is thrilled to announce their 2021-22 season, featuring a sensational lineup of in-theater performances and new digital releases that will appeal to a variety of audiences.

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AuthorNashville Ballet

Nashville Ballet will kick off their 36th season with a magical journey to Neverland in Paul Vasterling’s Peter Pan! The highly-anticipated return will open at TPAC for a weekend-long run on October 8, 2021. Inspired by the boy who never wanted to grow up, Nashville Ballet’s performance of Peter Pan will include all the characters audiences have grown to love from this classic tale, plus on-stage flying and a newly arranged musical score featuring works by Debussy, Faure, Ravel, and Bizet.

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AuthorNashville Ballet

Fresh off their in-person performances at Ascend Amphitheater as the first performing arts organization in Nashville to return to live events, Nashville Ballet is thrilled to announce their 2021-22 season, featuring a sensational lineup of in-theater performances and new digital releases that will appeal to a variety of audiences.

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AuthorNashville Ballet

Nashville Ballet will make their triumphant return to in-person performances this spring. May 14 and 15, Nashville Ballet company dancers will perform live and outdoors at Nashville’s acclaimed Ascend Amphitheater. Following a successful virtual season, featuring newly-filmed releases and a televised premiere of Nashville’s Nutcracker, this will be the company’s first in-person performance of the 2020-21 season.

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AuthorNashville Ballet

Following the success of the televised premiere of Nashville’s Nutcracker, Nashville Ballet presents its next installment of virtual content with Attitude, a two-part series set to release digitally March 5 through 7 and April 2 through 4. Due to the evolving situation surrounding COVID-19, this will replace the previously scheduled performances of Attitude: New Works by Women. Featuring three unique works in a two-part virtual series, Attitude Part I and Part II will focus on presenting audience favorites that highlight the wealth of artistry native to Nashville.

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AuthorNashville Ballet