At Nashville Ballet since 2010
Judson Veach trained for eleven years with Columbus Dance Theatre (CDT) where he studied under his father and Artistic Director, Tim Veach, as well as teachers Anne Adair, Kennet Oberly, Roberta Taylor, Scott Brown and other CDT faculty.
After completing two years as an apprentice at CDT, he went on to a year of study on full scholarship at the School of American Ballet. While there, he danced the principal role in Atonement by Canadian choreographer Josh Bemish as part of the New York City Ballet's Choreographic Workshop.
Judson attended The Julliard School Summer Dance Intensive in 2007 where he studied with Andra Corvino, Alexandra Wells and Alexander Proia. In the summer of 2008, he attended the Chautauqua Summer Dance Institute where he was awarded the Chautauqua Dance Circle Scholarship. In 2009, he received a full scholarship to the summer and year round programs at the School of American Ballet studying under Peter Martins, Jock Soto, Andrej Kramarevsky, Sean Lavery, Johnathan Stafford and Peter Frame.
Throughout his training, Judson has danced roles in a variety of classical repertoire including Flower Festival and The Kermesse in Bruges, and has worked extensively under various contemporary choreographers including Mark Diamond, Jean Pierre Bonnefoux, Kristina Isabelle, Kennet Oberly, Stella Kane and Tim Veach.
After attending the summer intensive program at Nashville Ballet in 2010, he joined the company as an apprentice the same year, and was promoted to full company member in 2011.
His credits at Nashville Ballet include dancing Sugar Plum Cavalier in Paul Vasterling’s Nashville’s Nutcracker, the Gold Variation in The Sleeping Beauty, Mercutio in Vasterling’s, Romeo & Juliet, Dark Angel in George Balanchine’s Serenade, and Jiri Kylian’s Petite Mort, as well as appearing as a soloist in the world premiere of Vasterling’s The Ben Folds Project.